Typography That’s Just A Sin

August 16th, 2010

Created by Utah typography instructor & graphic designer, Jim Godfrey has created this informative poster enumerating the 34 most typical typographic sins committed by the average print and web designer.



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Eames Catalog: Defining Designs

June 3rd, 2010

Few designers have crossed mediums, defined an era and stood the test of time better than Charles & Ray Eames. This catalog features some of the Eames brothers’ most distinctive print designs including eight of their most unique covers.

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My Top Five Typography Tips

June 2nd, 2010

There are a few simple techniques you can use when setting type for your print or web projects which can make a world of difference to the overall legibility of the project. Many designers seem to forget that typography is more about legibility than about design. With the techniques described below, you can find a way to create well-designed typography that’s also highly legible.
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Greeking: My Guide to Lorem Ipsom

March 2nd, 2010

Preparing your designs for presentation can be enhanced by the use of Greeking in your layouts. The question is how to use that pesky “Lorem ipsom dollop” text in your layout to your advantage. In this post I have outlined the different variations of Greeking with notes on situations when you might use them.


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My Apostrophe, ‘Tis Of Thee

February 8th, 2010

After recently viewing a local travelling exhibit of a deceased, famous Princess of Great Britain, I found myself completely distracted by the display boards. Every board used a combination of “straight” and “curly” apostrophes.

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The Color of Type

January 4th, 2010

When choosing the color of type to be used on a project, consider the medium first. In print, everything is reflective. That is, everything is printed on paper and light is reflected off the paper. Most often, type in print is easier to read with more contrast between the paper and the type.

Color of Type

#000000 on left; #333333 on right

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